Monday, December 26, 2011

piano music #1 : ozpianoman

piano music video #1 by ozpianoman at www.pianoadvisory.com Update September 2011 by OzPianoman well known for giving Free Piano Advice that'll make you think Twice ... (I DON"T BUY & SELL PIANOS) Nothing very fancy here in this demo, but the cat video must be a challenge to you players? Something NEVER seen before and yet nobody has accepted my challenge in the years since it was posted... Check out "Great Piano Challenge" video ! Piano music video #1 : Finding a piano for a friend Project started with a phone call to Australia's Piano Advisory (we don't sell pianos) from a farming property owner in a remote area of Queensland, outlining a need for something better than the old upright his wife had been using. A big fan of her piano playing, he wanted a "baby grand piano" - I decided that Kim should hear my own Kawai KG1 (5 ft 4 baby grand) and suggested he perhaps consider something with a bit more Grunt ! I found a 1984 Yamaha C5 for sale here in Melbourne. A few of us played it and we recorded those performances as well... Kim's wife took delivery of the fabulous C5 Yamaha and informed me that she is absolutely thrilled. Now her sister wants one! Look here - another superb 1986 Yamaha C5 Grand, pics posted on my website just recently and still for sale by the owner (who has just taken delivery of an even bigger model : the C7 Yamaha grand) www.pianoadvisory.com

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Saturday, December 10, 2011

Roland Juno-G, A Retro Look With Space Age Sounds

!±8± Roland Juno-G, A Retro Look With Space Age Sounds

True to its JUNO heritage, the new Roland JUNO-G is both affordable and user-friendly. But that's where the comparisons to previous versions of the famous Juno range end. It combines the 'retro' look of the Juno range but is a modern marvel packing a studio's worth of sounds, sequencing, and audio recording into one astounding instrument.

Sharing the same high-powered processor as Roland's famous Fantom-X series keyboards, the Roland JUNO-G places a world of top class sounds and performance features under any musicians' fingertips, and allows more sounds to be added via Roland's SRX expansion boards. Songs can be created and edited with the onboard audio/MIDI sequencer.

The Roland JUNO-G shares the same processor as the Fantom-X, and as such provides the finest sound quality in the keyboard / workstaion market. It includes a  multisampled grand piano along with a wide range of fabulous sounds from classical instruments to cutting-edge synths.

For both songwriters and performers alike, the Roland JUNO-G's 16-part MIDI sequencer is unique with the addition of 4 companion stereo audio tracks which is a delightful surprise for an instrument in it's price range. It allows players to lay down the perfect backing tracks plus the addition of vocals, live guitar parts, and other instruments. The Roland JUNO-G's revolutionary front panel transport controls, 5 audio sliders and dynamic sound modification knobs make for a new and exciting recording experience.

For an instrument packed with so many features the Roland JUNO-G offers complete ease of use. The mixer and transport controls are only one part of the "hands-on" work surface. It has clearly labeled and easy to reach buttons, six knobs to further modify sounds, five sliders for the audio section, a data wheel for fast access to all it's features, a D Beam controller and a pitch/mod lever. In the center of the keyboard is the largest backlit LCD of any synth / workstation in it's price range.

Some of it's other features are :-

Fantom-X quality sound engine with 128-voice polyphony.

A SRX slot to further expand the internal sounds.

A PC Card slot (which will accept CompactFlash or SmartMedia cards).

An Arpeggiator, Chord Memory and multi-effects built-in.

I've had my Juno-G for around 18 months now and I am only just scratching the surface of it's features.

One of the best features of the Roland Juno-G is that it can be used by itself to create complete songs from scratch or for those who want to take it one step further and incorporate a computer into the setup, the JUNO-G can be linked to a PC or Mac via its USB port. All MIDI communications can be handled with it's USB connection which can also be used to send and receive WAV/AIF files and patch data. As an extra bonus, Roland ships every new JUNO-G with a copy of Cakewalk's Sonar LE software.

The Juno-G workstation just got recharged with the introduction of Version 2.0 software adding Fantom-series audio sampling functionality that you can use along side all the other powerful Juno-G features.

I have several other keyboards but after playing the Juno-G they feel cheap and tinny. Although they are great musical instruments in their own rights they just can't compare to the Juno-G. The Juno-G is a solid, professional well made keyboard and you feel it as soon as you start playing. I always have a thrill run through me when playing it which is more than I can say for my other Yamaha Keyboards. Don't think about buying a Roland Juno-G, just buy one. You won't regret your purchase!


Roland Juno-G, A Retro Look With Space Age Sounds

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Friday, December 2, 2011

Taylors Expression System

!±8± Taylors Expression System

There was a real treat at the Winter NAMM show a year ago by the Taylor Guitars booth.

The master of analog electronic design Rupert Neve was at an MI show. Unhappy with the performance of acoustic guitar electronics, Bob Taylor teamed his pickup designer David Hosler with Rupert Neve to create a system that could capture the sound and nuances of an acoustic guitar.

After much research, the result is in.

Enter the Expression System (ES).

You will only see this new technology on select Taylor guitars, ES uses two vibrational Dynamic Body Sensors(TM) and a sub-fretboard Dynamic String Sensor(TM), the three of which are precisely blended via high-end electronics.

You can now just forget about low-fi designs and cheap pots found in typical onboard guitar electronics.

The summing circuits for the three individual transducers output to balanced TRS (the guitar ships with a TRS-to-XLR cable for interfacing directly to mic inputs) - no direct box required.

To top off the system Mr. Neve designed for the Taylor K4, an optional outboard preamp/equalizer.

WHICH GUITARS?

The ES is available on Taylor's steel-string models (300 Series and higher).

On a 614CE, a "Grand Auditorium" with Sitka spruce top and bookmarked flame maple sides and back.

The "CE" designation is indicative of a cut-away model with electronics.

ES can be adapted for certain Taylor models; you might want to call Taylor for details.

The 614CE plays perfectly right out of its heavy hard case, with immaculate fit and finish, a full, rich balanced tone and intonation that was right on the money.

ES electronics aside, this is an extraordinary instrument.

New attention to details has been added with he ES design, such as freedom from the typical drop-in battery holder/electronics module that mounts in a large hole chopped into the guitar's side. Instead, the ES has three small knobs (bass/treble/volume) in the side wall near the neck.

Above and beyond its elegant look, this approach provides easy access to the detented pots, where "flat" is at the 12 o'clock position.

Near the tailpiece is a holder for two AA cells and the TRS output/strap pin.

The unit powers up when a cable is inserted; battery life's about 20 hours.

The output is balanced and also works with an unbalanced cable for connecting to a standard guitar amp, effects box or tuner.

One question that everybody seems to ask is whether users can tweak the individual levels of the three transducers and the answer is sorry but no.

If you are used to working with piezo or standard magnetic pickups on acoustic guitars, hearing the ES will more than likely come as a major shock.

For the first time from a pickup, you will hear a natural, uncolored sound that requires very little tonal tweaking.

This is miles removed for the surgical, radical EQ needed on a standard pickup to make it sound even vaguely natural.

The guitar's onboard EQ is smooth and gentle and just what you'd expect from a Rupert Neve design.

And whether playing in a stadium or your local pub the system simply will not feedback, even in high-SPL situations.

Another point worth noting is the fantastic amount of headroom the ES electronics offer, bringing you clean reproduction at any playing level from subtle harmonics to banging out chords like the rolling stones!

PRESENTING THE K4

Use this bad boy live or in the studio.

The optional (8) Taylor K4 is an outboard preamp/EQ for acoustic guitar that features low-impedance, transformer-coupled balanced XLR I/O, bass and treble controls, a true parametric midrange with adjustable Q, a pre/post-EQ effects loop, polarity reverse switch, headphone jack with level control, mute and a dedicated tuner output.

An internal 18dB/octave highpass filter removes rumble and LF crud below 30 Hz.

The K4 is powered by an external wall wart and for those times when you forget the power supply and can be powered by two "C" batteries.

In the studio, you may prefer a standard 1U rack package to the K4's stand-alone milled-aluminium chassis, and by removing the battery compartment, there'd be room on an internal power supply.

Here is a plus, the unit doubles as a nice little studio preamp when used with dynamic or ribbon mics.

You can also patch into the loop return jack and use the EQ alone to fine tune any line-level source.

In the studio, the K4 is plug-and-play.

The EQ is smooth and musical, whether using the shelving LF (450 Hz) and HF (1.6 kHz) or the parametric MF band.

The "mid" band is actually extremely wide, 80 to 8,000Hz range and with a touch of EQ, the ES can stand right along side a well-miked acoustic guitar setup.

The convenience of overdubbing acoustic guitar parts in the control room is something that many would have never attempted before the ES system.

Taylor's Expression System applies a high-quality, high-tech approach to the age old problem of guitar transducers, with most impressive results.


Taylors Expression System

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Friday, November 25, 2011

Yamaha WB2 Padded Wooden Bench for the Yamaha DGX505 and DGX620, Natural Finish

!±8± Yamaha WB2 Padded Wooden Bench for the Yamaha DGX505 and DGX620, Natural Finish


Rate : | Price : $69.99 | Post Date : Nov 25, 2011 18:47:56
Usually ships in 24 hours

The Yamaha WB2 bench is designed to match the DGX505 keyboard, but it is a sophisticated accompaniment to any instrument. Quality wood construction and a natural finish make this bench an exceptional choice for sturdy support and classical style. The thick padded seat and strategic air vent offer comfort and preservation against usual wear and tear.

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Sunday, November 20, 2011

Yamaha YPG535 Portable Grand Piano Package

!±8± Yamaha YPG535 Portable Grand Piano Package

Brand : Yamaha | Rate : | Price : $499.99
Post Date : Nov 20, 2011 23:57:43 | Usually ships in 24 hours


The Yamaha YPG535 88 Key Portable Keyboard gives to the sound and feel of a grand piano in a portable package at an affordable price. The YPG535 offers a graded soft touch action that everyone from the beginner to the professional will love. The YPG535 also includes a stand along with a sustain pedal and power adapter. For the beginner, the built-in interactive lessons provide a user definable tempo that allow for learning at your pace. Yamaha YPG535 Features 88 piano-style keys with Graded Soft Touch 6-track sequencer allows you to record your own music USB & Flash ROM to download new Songs and Styles for playing 5 types preset Master EQ Interactive Lessons: Your Tempo mode helps you learn to play Backlit LCD, panel lights, pitch bend wheel Portable Grand Button: industry's best piano Yamaha XGlite/GM voices plus Sweet!, Cool!, Split & Dual voice Performance Assistant guarantees a rewarding music experience Music Database 267 keyboard setups by song title Optional BB1 keyboard bench. Click for more information.Piano Centric Features The Yamaha Portable Grand, YPG535 has an easy to use panel, a wealth of piano-centric features including 88 piano-style keys, Graded Soft Touch (GST) action with different levels of resistance, high resolution stereo piano sample and comes with an attractive matching stand, PA

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Saturday, November 12, 2011

Buying a Used Piano and the Prices You Should Expect to Pay

!±8± Buying a Used Piano and the Prices You Should Expect to Pay

The first step in buying a used piano is determining your budget. Here is a detailed explanation what you can expect at the different price points.

1. Under 0.00: You will have to do your own research. You will need some luck to find anything usable. Do yourself a huge favor and have the piano checked by a qualified piano technician before you pay for it, or have it moved to your house. If you do not you may find yourself in the unenviable situation of having to pay to have the piano junked.

2. Under ,000.00: Same as above, but taking twice the financial risk.

3. Under ,500.00: For this price you can, with luck, find a reconditioned spinet or console from a dealer. The dealer is likely to have taken the piano in on trade. A piano like this will be reconditioned. This means the piano has been cleaned inside and out, and the action has been given a once over to make sure the piano will play reliably. The case will be polished. Some kind of warranty will be given. At this price point you should expect that the piano plays properly and holds a tuning. However, it would be unrealistic to expect a great sounding, musically inspiring piano. The piano will almost certainly be at least forty years old

4. Under ,000.00: Same as above, but with a more attractive cabinet. At this price point you would expect the piano to be at least thirty years old.

5. Under ,000.00: Now you are getting to the point where you can expect to get a decent musical instrument. At this price point you should be able to find a console or studio upright that has a good musical sound, and a solid touch to the action. The best examples of pianos in this price range are Yamaha, Kawai, Young Chang, Sammick, and Sohmer. Yamaha would be the best in this category. You should be looking at pianos no older than the mid-1970s for Yamaha, and no older than the mid-1980s for the others.

6. ,500.00- ,500.00: This is a realistic price range at which you can find a piano that an advanced student can use to grow his pianistic abilities. The best pianos to get in this price range are Yamaha and Kawai 48 in. to 52 in. upright pianos. These are the instruments that you find in the practice rooms of universities and music schools. At the low end of the price range you find older pianos. I can't recommend any piano older than 1975. There is also a nice subcategory in this price range. Charles Walter and Sons make a very high quality console. This is the best made American upright other than Steinway. The case of these pianos is beautifully made. The voice of the piano can be made satisfactory by an expert technician.

7. ,500.00- ,500.00: The same as above, but the pianos should be from the 90's. There are models of Yamaha that have posts in the back in the shape of an X instead of vertical parallel posts. These pianos have a superior design. I have included them in this category because they have a potential for a warmer, richer sound. In my opinion this is as much as anyone would need to spend for a used upright piano.

8. Rule #1: If your budget is lower than ,500.00 do not even look at grand pianos. Unless you are very lucky you are likely to wind up with a piano that would require unrealistically expensive repairs. Here is a common example. John Doe purchases a Knabe grand piano for 0.00. He is all excited because his child will begin lessons and needs a piano on which to practice. He spends a further 0.00 to get the piano moved to his house. Even though John does not know much about pianos he knows that it is out of tune. He calls a tuner and finds out that the piano will not hold a tune because the pin block is too loose. He finds that the pin block cannot be replaced unless the piano is rebuilt. The repair bill is ,000.00 to replace the pin block, replace the strings, the dampers, and tune the piano up to pitch and get the action to work properly. John has just wasted 0.00 on a piano that is unusable unless he spends an extra ,000.00. John will likely be spending another 0.00 to have the piano removed.

9. ,500- ,000.00: You are in a good place with lots of possibilities. In this price range you should be able to purchase a small Korean or Japanese piano from a dealer. Common brands in this price and size range are Yamaha, Young Chang, Kawai, Boston, and Sammick. You can go as old as 1975 for a Yamaha grand in this price range, and for the other brands you should go no older than 1985.

10. ,000.00 -,000.00: In this price range you should expect to find very good quality Yamaha and Kawai grand pianos up to 6 ft. 5 in. Good models are Yamaha G2, G3, C1, C2, C3, C5, and Kawai KG2, KG3, KG5, RX2, RX3.

Also in this category you will find rebuilt and refinished grand pianos from reputable piano rebuilders. These pianos will also have rebuilt actions. Typical brands are Chickering, Knabe, Baldwin, Broadwood, Sohmer, and many lesser known, but equally good brands. At this price range you should expect five-year warranties to be included in the price of the piano.

11. ,000.00 -,000.00: You are now in reconditioned Steinway and Mason and Hamlin country. This is "no country for old men". You will be paying a lot of money for a piano THAT WILL EVENTUALLY NEED TO BE RESTORED. The price of restoration for a Steinway M (5 ft. 7 in.) is ,000.00. The price of restoration for a Steinway D (concert grand) is ,000.00. In my opinion, which is supported by thirty years of experience, it is more economical and satisfying to take the next step and get a fully refinished, rebuilt or restored piano.

12. ,000.00 and up. Here are realistic prices for the different models of rebuilt and refinished or restored Steinway and Mason and Hamlin pianos:

Steinway S typically rebuilt and refinished with new action ,000-,000
Mason T typically rebuilt and refinished with new action ,000.00 -,000
Steinway M rebuilt and refinished with new action ,000- ,000
Mason A with new restored with new sound board and new action ,000.00-,000.00
Steinway O restored ,000.00-,000.00
Steinway A restored ,000.00-,000.00
Mason AA restored ,000.00
Steinway B restored ,000.00- ,000.00
Mason BB restored ,000.00- ,000.00
Steinway C restored ,000-,000.00
Steinway D restored ,000.00-0,000.00
Mason CC ,000.00- ,000.00

Rule #2: Unless you are buying a piano from a well know piano restoration house that is giving you a five-year warranty you need a piano professional to look at the piano for you.

Rule #3: A GOOD UPRIGHT IS A MUCH BETTER PIANO THAN A CRUMMY GRAND PIANO... AND MUCH LESS EXPENSIVE.

Do not develop "analysis paralysis" or you will be looking for the perfect piano forever. Stick to your budget, buy from a reputable dealer who gives a warranty, and have a piano professional validate your choice. I have been doing this for thirty years. How hard can it be?

Good luck finding a piano!


Buying a Used Piano and the Prices You Should Expect to Pay

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Saturday, November 5, 2011

Yamaha CVP509 Clavinova Digital Piano Review

!±8± Yamaha CVP509 Clavinova Digital Piano Review

When sitting down to play the Yamaha CVP509 Clavinova Digital Piano you immediately know it is something special. Yamaha's top of the range CVP Clavinova (barring the CGP1000 and CVP409 GP) the CVP509 offers the player everything they could possibly ask for in terms of playability, features and aesthetics.

Yamaha's reputation is rock solid but in recent years some people have felt that you occasionally pay a little bit too much for the name. Over the last year I feel Yamaha out an excellent range together with perfect price points. For the money (the Yamaha CVP509 Polished Ebony version sells online for around £5158.40) you get an array of sounds, complex recording features and possibly the nicest piano sound and touch I have ever seen on a digital piano.

The actual keyboard uses synthetic ivory keytops and real wood white keys. The key surface is soft and slightly porous, giving the keys added grip and a natural friction that lets you play easily. This makes the piano experience very realistic and similar to playing an acoustic piano.

When you play an expensive acoustic piano, you can vary not only the volume of sound, but also the expressiveness: lively, gentle, and so on. Thanks to AWM Dynamic Stereo Sampling, you get the same response from the Yamaha CVP509. This is achieved by sampling sounds at more than 10 different levels of keystroke strength. From these, three to five levels are carefully selected, depending on the model chosen, to offer more detailed tonal variations. As you play, the Clavinova reproduces subtle differences in nuance according to your touch, ranging from pianissimo to fortissimo. To create the piano sample Yamaha used their CFIIIS full concert grand piano which was tuned to the highest possible condition. They then used Yamaha's unique Pure CF Sampling technique to sample all of its sounds, in order to create the CVP509 Clavinova Digital Piano sound. As a result, you enjoy the same natural tonal response as a top-quality piano.

This model uses Yamaha's super articulation technology. This is mainly used on the Clavinova's woodwind sounds. Basically Super Articulation allows the player to accurately play instruments the way they would sound acoustically. For example when playing one of the piano's saxophone sounds you can bend or slide notes, to "join" different notes together, or to add expressive nuances at the end of a note. This technology means that if you were to go from a certain note to another you can actually hear the holes of the instrument closing as you would on the real instrument. This is seriously impressive and makes for an exceptional playing experience. In my opinion this makes the CVP509 the perfect balance between the Tyros and a pure piano product taking features from both kinds of instrument and combining them.

Megavoices are used on the piano to create stunningly realistic sounds. For me this is best shown on the Clavinova's classical guitar sample. Players will hear open and mute string sounds, dead notes, hammering effects, slide effects, harmonics and a wide range of strum and body noises. Put simply Megavoices actually mirror the instruments behavior and react accordingly.

The piano uses instruments active field control (IAFC) which is sophisticated technology outputs sound picked up by built-in microphones together with the Clavinova's internal sound through rear speakers, making automatic adjustments to create a richer sound that best matches the acoustic characteristics of the room you're playing in. It also uses signal processing to reproduce an authentic damper effect. When the damper pedal is pressed, it delivers discretely sampled overtones, harmonics and resonance to recreate the warm and spacious sound.

Recording your music is a breeze with USB Audio input and MP3 Playback. Simply plug in a mic and enjoy recording your voice over the piano sound. All the usual elements of a Yamaha Clavinova are on the CVP509 including a LAN port for easy access to the web where you will find a host of helpful features, new sounds etc on the Yamaha site. The piano comes with the matching Yamaha stool, my only gripe here is that this stool is not adjustable, however this would probably add a lot of money to the cost which personally I would rather spend on the piano itself. The display uses a nice big bright 7.5" screen which clearly shows scores, instrument choices and all the other features. I found that even under bright lighting condition the screen did not glare which is always a bonus.

To sum up, the Yamaha CVP509 Clavinova Digital Piano is an excellent choice and well worth the obvious investment. I cannot really fault the product at all as it ticks all the boxes for me not only in terms of it's piano sounds and playability but also the host of other options that are built in. Simple to use you can be making superb and realistic sounding pieces in no time at all.


Yamaha CVP509 Clavinova Digital Piano Review

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Sunday, October 23, 2011

Yamaha YPG-235 76-Key Portable Grand Piano Premium Pack

!±8± Yamaha YPG-235 76-Key Portable Grand Piano Premium Pack

Brand : Yamaha | Rate : | Price : $279.99
Post Date : Oct 23, 2011 21:32:36 | Usually ships in 1-2 business days

The Yamaha YPG235 76 Key Portable Grand Piano delivers a piano-focused sound set that will propel your music to the next level. The YPG235 features 76 Graded Soft Touch action piano-style keys that are perfect for the beginner to the expert. A USB port is also included allowing you to download new Songs and Styles for playing. The interactive lesson feature lets you set your own tempo so you can progress at your own speed. Yamaha YPG235 Features 76 piano-style keys with Graded Soft Touch 6-track sequencer allows you to record your own music USB and Flash ROM to download new Songs and Styles for playing 5 types preset Master EQ Interactive Lessons: Your Tempo mode helps you learn to play Backlit LCD, panel lights, pitch bend wheel Portable Grand Button: industry's best piano Yamaha XGlite/GM voices plus Sweet!, Cool!, Split and Dual voice Performance Assistant guarantees a rewarding music experience Music Database 267 keyboard setups by song title Yamaha PA150 Power Supply (optional) Available as a package (YPG235KIT) which includes a Yamaha SKD2 Survival Kit! The Survival Kit is designed to provide you with everything you need to get started. It includes a Yamaha PA150 power adaptor, Foot switch, a World Tour SXKS keyboard stand, Stereo Headphones, 2-Year Extended Warranty, Hundreds of dollars of Rebate Coupons, Survival Kit DVD, Playing with Styles DVD. AmericanMusical com is an authorized dealer of Yamaha products.

  • 76 piano-style keys with Graded Soft Touch (GST) action
  • Backlit LCD, panel lights, pitch bend wheel
  • 6-track sequencer allows you to record your own music
  • Portable Grand Button: industry's best piano
  • USB & Flash ROM to download new Songs and Styles for playing

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